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Main Header Menu

The Daily Dot

Eddie Strait is a member of the Austin Film Critic Association. His reviews focus primarily on streaming entertainment, with an emphasis on Netflix, Hulu, Amazon Prime, and other on-demand services.

Eddie Strait

‘The Order’ casts an entertaining spell

Caitlin Moore has been watching anime since a two-episode VHS cost $30. She writes for her own blog, I Have a Heroine Problem; writes, edits, and podcasts for Anime Feminist; and travels to anime conventions doing panels about shoujo manga.

Caitlin Moore

‘Workin’ Moms’ is too privileged to be ‘honest’

‘Carmen Sandiego’ reinvents its thieving protagonist as a role model action hero

‘Hi Score Girl’ is a love letter to ’90s fighting games

Tiffany Kelly was the culture editor at Daily Dot. Previously, she worked at Ars Technica and Wired. Her writing has appeared in several other print and online publications, including the Los Angeles Times, Popular Mechanics, and GQ.

Tiffany Kelly

‘You’ is a disturbing show about a psychopath in the digital age

‘Back Street Girls: Gokudols’ is ugly, inside and out

Netflix teen drama ‘Baby’ is worse than high school

Tess Cagle is a reporter who focuses on politics, lifestyle, and streaming entertainment. Her work has appeared in the New York Times, Texas Monthly, the Austin American-Statesman, Damn Joan, and Community Impact Newspaper. She’s also a portrait, events, and live music photographer in Central Texas.

Tess Cagle

‘Prince of Peoria’ is a quietly progressive multi-cam sitcom

Audra Schroeder&#8217;s work has previously appeared in the Austin Chronicle, the Dallas Observer, NPR, ESPN, Bitch, and the Village Voice.

Audra Schroeder

Pharrell-produced science show ‘Brainchild’ wants to inspire kids to pursue STEM

Chris Osterndorf is an entertainment reporter and movie critic based in Los Angeles. He holds a degree in cinema from Chicago’s DePaul University. His work has appeared on the Daily Dot, Mic, the Script Lab, Salon, the Week, xoJane, and more.

Chris Osterndorf

The end of ‘House of Cards’ feels as fitting as it does oddly inevitable

Netflix’s ‘Super Monsters’ gets kids in the holiday spirit with Halloween special

Brenden Gallagher is a politics reporter and cultural commentator. His work has been published by Motherboard, Complex, and VH1. He’s the co-founder of Beer Money Films, an indie production company. Based in Los Angeles, he works in television drama as a writers assistant.

Brenden Gallagher

‘Pod Save America’ doesn’t deserve an HBO show

Netflix’s ‘Dragon Pilot: Hisone and Masotan’ is a charming anime despite its flaws

Netflix anime ‘Last Hope’ takes itself way too seriously

Netflix’s ‘The Good Cop’ is for those who like TV the way it used to be